Second Rite of Passage Reflection: Ginny, the most memorable moment?

Ginny rite of passage 003

“When I try to pull moments and events from my 18th rite of passage in order to categorize one or another as the most impactful or the most important, I can’t really. You see, they’re all woven into one experience and to separate them would be to unravel the thread and see something different altogether. So I was stumped, I couldn’t think of what would be the superlative moment; I didn’t know what to pick without picking all of it. But as I started to let the question settle in me the answer reverberated back in patches of color and sounds and gestures that conformed into many shapes, women shapes, Karmyn and Nancy shapes, Mom and Sharon and Jessie, Maril and Tricia shapes. Yeah, they were the best part. I guess I realized that I loved them not only because they were a part of my heritage, my mom’s support that was passed down to me, but that they represented a wonderful, colorful, real diversity of women.

Lately I get paralyzed with the idea of becoming an adult. Suddenly the freedom of choices and opportunity to trail blaze that so enthralled me when I was younger now stare me down and dare me to make the first move; and I feel like I’m shrinking. Like I’m going to implode. Sometimes the pressure around my head and heart is so tight I feel like I’m fighting my way through a birth canal that’s too small, and it is pushing me out regardless, as each approaching season brings another contraction, another inch closer to entering a new country- I don’t know where. I feel trapped by the bifurcation of where I will “inevitably” exist and live in for the next forty years. I know that this is hyperbolic, dichotomized, falsely, I hope, but it still feels that way a lot of the time.

But more than the events and projects, spontaneous dancing and art making, it’s the handful of women around me that gives me courage and better yet, a passion for my adulthood to come. They’re all so different, so dynamic and wholly themselves, creating life around them and for themselves that in their adulthood reflects their own unique passions, pursuits, and persons. Of course they, like everyone else, carry their younger selves in them still, but they didn’t get stuck at 18 or 20, they took her with them and stepped forward through one day at a time, and then they arrived-or rather are still arriving-at this other country called adulthood. It’s their specific and unique lifestyles and personalities that show me that my own life can and will be fashioned into something courageous, beautiful, and my own.”

– Ginny

Ginny rite of passage 029

Second Rite of Passage: games and rosaries: now, it’s Ginny’s turn

Ginny rite of passage 229

Sunday. After breakfast, it’s Ginny’s turn to present.

“Ginny, how many pieces of paper are needed for your game, ‘fax machine’?”

“There are six people, so booklets of six pages each.”

We began to play.

“Write down a random phrase, pass it to your left, read it, draw a picture about what you read, pass it on, draw a picture about what you read, etc. until we’re done.”

Let’s see, it quickly degenerates. “Climbing Mt. Whitney while eating a mooseburger” becomes “an angel climbs a volcano with an offering- a winged cheeseburger.”

Seriously . . . .

“Tell us what your other activity is, Ginny.”

“About a year ago, I made a rosary of beads to pray for my friends. I was inspired one day when I was in Saint Peregine’s chapel at Mission San Juan Capistrano. As a matter of fact, this is one of the original beads I chose for my friend. The colors makes it look like flames are coming up at the bottom. She is a passionate person, so the flames describe her, but the bead is also transparent, like she is. You can see through it. She has been going through some hard times with her family, so this helps me remember to pray for her  . . . choose beads that represent a person, or a situation, or a place in your life and put it on the wire. I use the rosary for a keychain, but you can bend it anyway you like. It’s pretty flexible. A friend reminded me not to forget to choose a bead for yourself.”

And so that was our assignment.

I see a caramel colored bead I choose for our family’s current transitions. A blue, red, and white one for Ginny herself, for passion, for purity. A teardrop shaped one alongside four others- remembering a family going through a tough separation.  A rosary strung for those loved near and those loved far away.  Sunlight on the beads. Crystals and clay. Pearls and wood. Brown and gold and aquamarine blue. The weekend will soon be coming to an end. Only five lovely ladies left, plus one, newly entering the realm of the tribe, the realm of long histories, insatiable  laughter, tempered wisdom, and a healthy mix of childhood dancing with middle age and laugh lines.

Ginny rite of passage 231

Second rite of passage: imagining your contribution

Ginny rite of passage 068

Ginny rite of passage 200

Round two: everyone contributes! My job? To create a fun container for people to place their delectable and teachable offerings. And so, what to do? How to begin? Take one artist, one experienced game-player, two teachers, one journal-writer, a dancer, and a culinary dabbler and throw them into a big wide corrugated cardboard box (not really). Shake ’em around a bit, throw them onto the table like so many dice, and what do you get? All sorts of possibilities!!

Well, I didn’t do that exactly, but I did metaphorically! I invited the rite of passage mentors/participants to think about what they might like to teach Ginny. Since the theme was “building community” I asked them to think about a fun activity that might help Ginny learn to create a sense of community where she was soon moving to.

Some took off with great ideas from the get-go. Others needed a little gentle massaging, but what did I get in the end?

An amazing community art project we all engaged in and gifted to Ginny. A first hand view of building a seven course meal for a friendly gathering. A lesson in meaningful journaling. A frolicking twist on traditional game-playing. A literary brainstorm on sharing personal history with a crowd. And a jaunt into morning meditation and hand massage to promote self-care, care for others, and welcoming the day. Could a collection of mini-workshops be more diverse, engaging or interesting? I think not!!

Ginny rite of passage 099

Small Bites: poem, “Learning to Dance”

DSC_0133

Ginny and John hanging out as brother and sister before meeting up with their dates for the prom.

It’s a great month to create collections of poetry that reflect thresholds in our  lives. Gathering a meaningful collection of quotes or poetry and storing it in a journal or a laptop can become a sacred space or resting place to enter into when you just need to be reminded of those “certain” things that we so often forget- those things that change with the ingredients of time and experience, such as: awkwardness at 13 can lead to elegance at 30, stammering in middle school can evolve into eloquence in graduate school, and a first dance in adolescence can be the doorway into the school of life experience. Here’s a lovely example of this by poet, Charles Fishman. Feel free to sit in the hammock of his words for awhile:

Learning to Dance, 1956

For Marlene Broich

It was the 50s, and all of us

were kids, but you were older—

almost a woman—and you would

teach me to dance. You were

the dark-haired child in a family

of blondes, slightly exotic, wilder,

my best friend’s sister.

In your father’s basement,

you took my hand and showed me

how to hold you—how to hold

a woman. I was fourteen and knew

already how to be awkward. You knew

I was falling into shadows.

When I breathed 
your hair, I was no longer in the forest

but had broken through

to a clearing where tall grasses whispered

and swayed, where white-petalled daisies

and violet clover blossomed in profusion.

You moved me deeper into the music

and made a meadow spring up around me.

Your body showed me that I had strength

to change the moment, if only the quiet

power of a summer breeze . . .

When you said I would be a good dancer,

that I had rhythm

that I could swing,

I held you close: some day,

I would find the one

who would pull me near to her in love,

not mercy; I would dance with her

and learn her secret names.

Crossing the threshold: a poem marking a daughter’s 13th year

IMG_0439

April is National Poetry Month. Honoring a threshold for yourself or your child can be marked by writing a simple piece of poetry. Bittersweet. Insanely happy. Contentedly present. All are valid emotions and valid ways of marking the passages in our lives. Here’s one I wrote marking my daughter’s 13th year awhile back:

A Chunk of Me

walked out the door

with size 2 pants and a

skateboard shirt.

I don’t know how

to bring her back;

she will experience my world

in size 12-year-old thoughts,

I will experience hers

in size 39.

I reel back the invisible

fishing line

I’ve attached to her

ankles

in the hope of synthesizing

her soul back into mine,

but like all good fish,

she slips away.

– Gina Marie Mammano

First rite of passage reflection: collecting rite words

DSC_0093

a place for inspiration: afternoon light in a chapel in Plain, WA

On my search for the “rite” words to inspire me and others on this creative journey toward a meaningful mentored celebration for my daughter, I wish I would have come across this quote by Clarissa Pinkola Estes:

“I hope you will go out and let stories happen to you, and that you will work them, water them with your blood and tears and your laughter till they bloom, till you yourself burst into bloom.”

But I didn’t. There were pale samplings of written fare that spoke about painful rites practiced on girls over the centuries. There were interesting menstruation rituals I looked at quite shyly. And there were more luscious ceremonies like those in India where girls are given a new sari, sprinkled with fragrant water, and donned with a crown of flowers. But none of these were traditions embedded in our own experiences, our own culture (and at times, I admit I was grateful). I was looking for something not beautiful and borrowed, but something that resonated in the caverns of our own sense of places and spaces, here, where we are living.

Our culture, or at least my culture, didn’t have a precedent for rites of passage, so creating my own seemed like a good place idea. Perhaps my daughter would pass our new traditions on to her own daughter someday, and on and on until new traditions became established, familiar, even cherished ones. When you start from scratch on most anything, you have to  brush the top layers away until you get to rockbed. And rockbed for me was touched upon by asking these types of questions: what kind of gathering would allow for the sharing of stories to ease the pain of being alone in the adolescent years? what gifts of wisdom would be most worthwhile to Ginny? how can I craft an experience that allows her to walk away feeling loved, affirmed, and more clear-eyed in gazing at who she truly is? how can I provide a fun and exuberant release so our time together is not excessively heavy?

These questions and thoughts were the touchstones to ponder. They would help form the new words I’d be sculpting from. I would eventually collect and add others on: symbol, feasting, keepsake, music, blessing. I would look to these key thoughts to be my inspiration to hold closely in the desire to share extravagantly with my daughter the riches of being a woman at the nascency of this rare and precious journey.

DSC_0101

hand painted peace flags dancing in the wind

First rite of passage: a celebration is in order!

DSC_0107

moving and grooving to the likes of Celia Cruz

DSC_0129

Ginny and I celebrating to Squirrel Nut Zippers

DSC_0110

Could this be a reprisal sing-along to Dar Williams’ “As Cool As I Am”?

“Everything is created from moment to moment, always new. Like fireworks, this universe is a celebration and you are the spectator contemplating the eternal Fourth of July of your absolute splendor.” – Francis Lucille

Nice. What a good quote. It feels magical and momentous, just like a good celebration. The culmination of a rite of passage with one 14 year old girl, and 9 committed, experience-laden, long-distance-driving women had to end with an all-out doozy of a fireworks show, not literally, of course.

I tailored the celebration to what I had (let’s see, some blue and red tissue paper, some pre-used paper luminarias, twinkly lights, and who was coming: “Karmyn, could you lead us in some riotous celebratory dancing?”) and we were off! Gyrating to the Gypsy Kings, holding hands to the Tarantella, and stepping the steps of the hava nagila. Then as a culmination, we rocked out and Irish danced to a collection of Ginny’s favorites that I had put together on a c.d..

We ate, danced, and made merry. The room of celebration (which took place in my backyard) was fully regaled with women feeling the fullness of life and community. And a girl, as they danced in her honor, looked on with amazement and wonder.

“We are cups, constantly and quietly being filled. The trick is knowing how to tip ourselves over and let the beautiful stuff out.” – Ray Bradbury

 

First rite of passage: honoring with food

DSC_0084

a feast of Indian cuisine

A daughter’s choices for what to lay out onto the groaning board may not be the same as her mother’s. Me, I enjoy a plethora of samplings from baklava to petit fours, and then a hearty helping of rich, red Italian food (or, should that be the other way around? No. Dessert really should be first.) My daughter, Ginny, would probably choose a plateful of sushi, some recently harvested loose leaf tea, and a whole host of Indian entrees from tikka massala to  aloo gobi. . . and that is exactly what we served on her first rite of passage that Saturday afternoon, with a few spanakopita on the side.

Preparing and serving food to another can be a way of honoring them as well. When we choose to nurture another’s body through good food, we also nurture their unique tastes when we let them share with us the things that bring their taste buds joy. It is like opening a window into their gastronomy, and sometimes it leads to opening doors into our own, as well as trips to markets and restaurants we didn’t even know existed in this world. (Yes, tikka massala is now one of my favorites; I crave that lovely, creamy, orangey-red sauce; I’d better stop, my mouth is salivating).

So to honor Ginny, age 14, at her first rite of passage, I snuck questions in and around our conversations, regarding her favorite foods. “I’m going to the store, honey. I’m not saying I’m going to get any of the things you say, but if you could pick anything out for dinner this week, what would you pick? I mean anything!?” (I’m sure there are other, even less obvious ways in and around the question.)

On the day of her rite of passage, the honoring of Ginny’s taste buds was in full swing; there was hot tea in antique cups, sushi in round sticky circles on a platter, crunchy triangles of Greek spanakopita, and a healthy offering of Indian food. And I have to say, every stomach was satisfied because every stomach seemed ready for the adventure.

IMG_0061

another cake from another celebration, but you get the idea! let it explode with enthusiasm!

First rite of passage: creating spaces

DSC_0086

paper and lace doily luminarias in “the room of celebration”

We were living in a beige neighborhood with stucco walls and neutral carpet (the accepted uniform for houses in the area). We weren’t raking in the bucks at our current jobs, so reserving an ultra rarified space with wooden floors and haloed light was not an option for this rite of passage. In fact, renting a space didn’t even rent any space in my mind at the time. As the granddaughter of Angelina Castellino Mammano, Sicilian immigrant and crafter of household wall art from broken bottles and dress-making scraps, I knew that making do was the right thing to do.

I had already formed a plan for theming each room for the event. I wanted a room of stories for sharing adolescent gems from the diaries of memory, a room of wisdom to gift Ginny with symbols of growth into womanhood, a room of blessing to pour words of hope and affirmation over my daughter’s body and soul, and a “room” of celebration to party till the twinkly lights shined no more!

Combining “making do” with these themed elements was my challenge. How could I make a room of stories a warm and safe place to mine the treasures of the historied heart? How would I make a room of wisdom that honors my daughter’s own sensibilities of beauty and taste? Could a room of blessing become a holy space without wooden floors, sacred echoes, and sanctified ceilings? What space could best hold a feast and a riotously celebratory dance party all at the same time?

Well, with a call out to a couple of women included in the special day for suggestions and ideas, as well as a gathering, yes, an actual gathering of materials in my living room of things I had on hand (quilts, fancy fabrics, folk art carvings, photographs, mis-matched tea cups!), I created simple, but beautiful spaces that held what I had hoped my home would house most on that important day: a homespun montage of warmth and meaning.

DSC_0031

My daughter relishes the “room of wisdom”

Considering International Women’s Day: words of the wise woman

IMG_0448

In honor of International Women’s day, I thought I’d share with you some annotated readings generously described by my good friend and beautifully bookish woman and librarian, Valerie. Included are the initial note from Valerie to my daughter on her first rite of passage, and descriptions of the books given to her. They might be good suggestions for your daughter, or even for yourself on this or any day! Written by both women and men, it is an inspiring collection indeed. Enjoy!

Ginny,

I am so honored to be a part of your Rite of Passage ceremony!

I really had to think long and hard about what I could present to you that would be meaningful and timeless.

I’m not an artist, nor a poet, nor a musician.  After searching my heart and mind I felt the one thing I had to offer was my love of literature.  Not only are my bachelors and masters degrees in English literature but I have worked in public libraries for 17 years, and for the last six years with the California State Library.  I am a book woman!

I know I owe my identity in large part to books (especially fiction) and I thought I’d share with you a few of my favorites that capture some of the significance of what you are experiencing tonight…

Lots of love,

Valerie

A Room of One’s Own by Virginia Woolf
Virginia Woolf is the mother of all 20th and 21st century writers in my mind.  She was brilliant and keenly aware of the way her prospects were limited because she was female. In this book she answers the patriarchs who have asked her, “If it’s true that women have the ability to write, why are there so few books written by women?”  In 1929, of course, there were very few published women authors.  Woolf patiently tries to answer this flawed logic, essentially saying that for women to flourish in the arts, society must support women in the arts: “A woman must have money and a room of her own if she is to write fiction…”

A Tree Grows in Brooklyn by Betty Smith

I read this when I was your age and then again as an adult (just a few months ago) and in both cases I was deeply moved by its rich portrayal of the transition from childhood to womanhood. Francie Nolan envisions herself as a writer at a very young age and just holds onto that dream until she can make it a reality.  Poverty, her alcoholic father and his premature death, her mother’s overt preference for her brother, and even her first love and heartbreak, do not incapacitate her, instead they provide her with raw material for her writing…

I Know Why the Caged Bird Sings  by Maya Angelou

Of the 100 most frequently banned books between 1990 and 2000, I Know Why the Caged Bird Sings ranked number 3!  That should be motivation enough to read this book 😉 , but you will also be blown away by Maya Angelou’s brutal honesty as she relates her harrowing childhood.  Like Francie, Marguerite (Maya) copes with her pain by writing, using even the worst moments as raw material for her art. And in the course of the writing, she begins to heal.  Why a book that is as beautiful and candid as this has been repeatedly banned is one of life’s great ironies…


The Mists of Avalon by Marion Zimmer Bradley

If you can imagine the legend of King Arthur and the Knights of the Round Table told from the perspective of women, then you can imagine this book.  It is enchanted, enchanting and empowering.  Have fun!

The Woman Warrior: Memoirs of a Girlhood Among Ghosts by Maxine Hong Kingston

Perhaps nowhere else in the world does a culture so graphically express its misogyny as China .The Woman Warrior relates how mid-wives used to keep a box of clean ashes near the birth mother to smother the baby in case it was a girl.  But this story also depicts swordswomen and women doctors – women of power and authority.  The challenge for our young Chinese-American protagonist – and for all young women really – is to reconcile all of the contradictory images of the feminine that barrage us, and to establish our own singular identity.

The Dot by Peter H. Reynolds

Well here’s a picture book because I think books for children are often so eloquent and yet a lot fun.  I thought of you when I selected this and how you are a budding writer.  The Dot’s message is to trust your voice.  We’re all occasionally plagued with self-doubt – but don’t let that ever stop you from writing.

The Prophet by Kahlil Gibran

If I had to select one book that has sustained me more than any other; a book that has been a fixture on my nightstand for as long as I can remember: this is the book.  Don’t read The Prophet from cover to cover but go to the table of contents and select the topic where you would like guidance.  These include love, friendship, good and evil, self-knowledge and many more. I find that you can read these chapters over and over and each time find new meaning.

Island of the Blue Dolphins by Scott O’Dell

I know you’ve already read this, maybe more than once!  Did you know that Island of the Blue Dolphins is based on the true story of a Native American girl who was accidentally abandoned on an island off the coast of Santa Barbara in the early 19th century?  She fended for herself on the island for 18 years before she was discovered and taken back to the mainland.  The story of Karana provides a simple metaphor for life: you can have every advantage – family, friends, brains, beauty, talent – but at the end of the day you must rely on yourself to get over life’s hurdles.  It is how you apply the gifts that you have been given that reflects who you are.

Happy reading!